The Royal College of Organists is delighted to announce Play the Organ Year 2025.
Play the Organ Year is designed to inspire a year-long effort by the whole organ-playing community, not just to increase the number of people learning to play the organ, but also the number enjoying live and recorded organ music.
We firmly believe that the best way to achieve both these objectives is to get as many people as possible not just hearing and seeing the instrument, but playing it!
The organ is a magnificent instrument unlike any other – powerful, versatile, visceral and enormous fun to play. At the heart of Play the Organ Year will be an attempt to open this experience to as many people as possible - to encourage them to take a step towards the organ, to lay hands on it wherever possible, and to discover for the first time the unique and thrilling experience of playing this remarkable instrument.
Whether you’re a complete musical beginner or perhaps just new to the organ, Play the Organ Year offers something for everyone, including:
Everything begins with a launch event at the spectacular Central Hall Westminster in London at 3pm on Sunday 19 January. Free tickets can be reserved for this event at ptoylaunch.eventbrite.co.uk From there, regional ambassadors and organists around the world will hold events throughout the year.
There are also plenty of resources, information sheets, session plans, templates and other resources to help organists and venues plan and deliver their own Play the Organ Year activity. Click here to visit our Organiser Resources page, where you can download all these resources individual or as a complete pack.
And whether you're looking for an event to attend, or wanting to post details of your own event, start at our Play the Organ Year listings page
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No one has done more in recent years to widen the appeal of the organ than Play the Organ Year Patron Anna Lapwood.
As well as being a hugely successful performer, recording artist, conductor, and broadcaster, Anna is a tireless advocate for music education and engagement. A natural communicator, she reaches a huge audience through her concerts, her many television and radio appearances, and via social media where she has more than a million followers.
Anna’s passion for the organ is matched by her mission to support girls and women in music, with her #playlikeagirl hashtag becoming a rallying cry for a whole new generation of young female musicians.
Anna was awarded the MBE in 2024 for services to music, and we are delighted to welcome her as our Patron for Play the Organ Year 2025.
East Midlands
Alexander Binns
Scotland
John Kitchen
East of England
Sarah MacDonald
South of England
Richard McVeigh
Wales
Stephen Moore
West Midlands
Daniel Moult
Northern Ireland
Matthew Owens
North of England
David Pipe
The Royal College of Organists' vision is for “a world in which organ and choral music are widely valued as being central to cultural and spiritual life”.
As organists we work to achieve this by promoting and advancing the highest standards of organ playing and choral directing, in order that our music making can inspire and engage those who encounter it.
But what do we do when not enough people do encounter our music?
The story of declining church attendances, drastic cuts in school music education, and ever-smaller audiences for live performances, is a familiar one. Wherever one looks, music – and particularly classical music – seems to be in trouble.
Of course this is by no means a new challenge for organists. More than 30 years ago National Learn the Organ Year, the brainchild of Anne Marsden Thomas MBE, set out to tackle this same problem. There are undoubtedly organists performing today whose first experience of the organ was at such an event.
Now, with the need and the challenge arguably greater than ever before, we are aiming to engage and inspire even more people by adding the power of modern technology to a new year-long programme of ‘real world’ events and activity.
It’s time for Play the Organ Year 2025!